Tofu Ink Arts Press:
In Honor of Reza Abdoh
Visionary Arts Poetry Prize goes to arraigo/ By K.Eltinaé
Tofu Ink Arts Press:
In Honor of Reza Abdoh
Visionary Arts Poetry Prize Honorable Mentions
Lee Ann Brown
The Earth Book
Another Green World
Each song a magical toy
What we want to be is
Full of greenest weeds
Unfamiliar storybook lush
To play a ball with bell inside
Spicy like clove road
Or cinnabar tinkling some kind of deep
Lacquer box open sound
A riddle song So long sung
i am dissociating on the day George Floyd’s killer is going to trail
Down with white male Chauvinist Pigs
Stephen flies to Minneapolis with his sign
It reads America’s very Soul is on trial
Footsteps on the fly smack
Eno as Blake goes outside each night
To hear his brothers and sisters as angels in the trees
Jones Irwin
The Female Rimbaud
i.m. Rosemary Tonks
I
The metempsychosis of that infamous slave trader
With the early verve in French verse
Took this errant soul to London environs
Emerging in the late 1960s as a female poète maudit
She pushed messages of secret liaisons and prohibited desire
And had her books burned by herself in the end
So as to hide the transmigratory evidence
II
All that daring and they killed her
Exchanging her self-ironising contempt for their disdain
A harlot in an open dressing gown incapable of shame
But who decided that? I see her
Extra modest in her wedding dress
At the Jardin de Luxembourg in Paris
In a cross-legged photo with a friend in 1948, Mrs Trent
Like some saint whose only blasphemy
Is beauty and poise beyond her contemporaries
She was incriminated by her verse
And what it revealed of her unconscious
A woman too, of course,
Fancy that.
III
If you cultivated a loucheness it
Was nonetheless reinvented via London
And the Paris of the Symbolists
So your hymn to Sixties’ hedonism
Was never of any ordinary variety
This was your feminist poetry contra poetry
Even Baudelaire stood askance and told
Arthur that only he could truly read
This new voice, this transgressive verse
To which Rimbaud replied: I gave up all
This jazz years ago. Still, there is
Something here needs redress
IV
Did you really lose your identity
There in the bed making love to the wrong person?
After all, could you know right from wrong
Once you had read Nietzsche and gained flexibility?
Free thinking in morals is a dangerous art
Not a science it is tantalisingly vague
When we seek its advice
Rarely did you seek its counsel
Preferring to err on the side of the irresponsible
Refusing to take due care
V
Later in the great retirement home of Bournemouth
For a while you took time to contemplate your epoch defining poetry
To remember how your writing set the senses reeling
But by then these had become terrible decisions
Which scarred you with ferocious indelible harm
Made you fall out of love with your muse
VI
After all these years you still effervesced
But differently now you stood silent
Listened like an Oriental skill
Cupped your ears to the voice of mediums’ omens
That life you led was not yours but theirs
All those chosen loves were as fake
As your limpid orgasms and your diffident marriage
Now that Mother and Father were both gone
A sense of self could finally be written
But at long last without books and without pens
Ken Edward Rutkowski
COLOR OF HOPE
I am Hon Ba shot at three times 2 misses one small round hit no damage done in the corpuscular golf ball grind two eyes in the back of my head looking out into forever not knowing when it will end if it will end if it ever does all certainty in life lost forgiveness gone Hon Ba great golden eye big rock spit stretching out into the shoreline the man who did it lost his life let down his own shield in carelessness by his gun now sits Jesus’ arms outstretched looking at me every day I pray for him to talk to me to blow the swings away from the sun to come down after the rain in the summer time in the morning time in this once in a lifetime the rains come in long afternoons barreling over Vung Tau Long Hai Phuoc Hai Ho Tram endless South China Sea Hon Ba Lady Island a hole a golden shoal around her neck Jesus’ arms orange over red flame trees white Hoa Su under his nose the pulse from his fingers running away they seem hardly flowers at all but color and the movement or shape perhaps of restlessness the growing need to be in the wind with the sun in the sky the man he left and went under the sea inside the rocks I hear the hissing granules of barnacles twisting in their shells you see when the waves come in from the West the wind blows blue blood in the leaves the white horses come out from the sky bow down in pelting rain I see levels I see rays folding in bold trained flowers the sea the color of new life Neruda wrote in green ink his personal color of hope green rings green mind all the man could find tied to his umbilical line was Jesus to answer him speak Jesus it’s me please I have no prayers nothing only forgiveness I've taken away all practicality and certainty in life giving it back to the last shot unto the man who never harmed me never hungered never held me and finally you ask why do you not speak of dreams and leaves anymore well look at the crumbs for bread left in the streets and the women and men with their heads held down wondering why what are we going to do my mind's lost call hardly alone the color of movement is personal forever holy to grow.
*Hon Ba is an island, connected by a rocky spit to land…the view in the pic is broad/elliptical, on the left is the island and on the right another part of the peninsula…the lines are fishing lines in the sand.
Ashley Parker Owens
A poem in three images
Lee Ann Brown is the author of five books of poetry beginning with Polyverse (Sun & Moon, 1999) and most recently, Other Archer (PURH, 2015). She is also the founding editrix of Tender Buttons Press.
K. Eltinaé is a Sudanese poet of Nubian descent. His debut won The 2019 Beverly Prize for International Literature (Eyewear Publishing) and Muftah´s Creative Writing Competition,co-winner of the 2019 Dignity Not Detention Prize (Poetry International). He is the winner of Tofu Ink Arts Press: In Honor of Reza Abdoh Visionary Arts Poetry Prize.
Jones Irwin teaches Philosophy and Education in Dublin, Republic of Ireland. He has published poetry most recently in Poetry London, Showbear Family Circus, Passengers Journal, Plainsongs, The Dewdrop and with Tofu Ink.
Ashley Parker Owens is an Appalachian writer, poet, and artist living in Richmond, Kentucky. She has an MFA in Creative Writing from Eastern Kentucky University and an MFA in Visual Arts from Rutgers University. ashleyparkerowens.wordpress.com
Ken Edward Rutkowski is an artist/ writer living in southern Vietnam. His work has been featured in Fiction International (issue 54), Tofu Ink Arts Press, The Fiction Pool, Synchronized Chaos, The Journal of Experimental Fiction & Paragraph Line.